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This is the most famous of Crouwels fonts, so there is no better place
to start. Designed in 1967, it looked to embrace the Cathode Ray Tube
technology. It was made to the limitations of the new technology which
struggled with digitising type and did not work over the curved edges.
Because of this, New Alphabet used only vertical and horizontal lines
and was designed using a monospace grid with every letter the same width
and height. It followed Crouwel’s systematic gridded approach to much
of his work with a page of type all aligning completely along the
vertical and horizontal axis.
The majority of letters are based on 9 by 5 unit grid with 45 degree
slants used on certain corners. There is no difference between the
uppercase and lowercase letters. In Crouwels own words the font was
‘over-the-top and never meant to be really used. It was unreadable’.
Despite this, it received massive coverage and contraversy, attracting
criticism from many of his peers
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